November 5, 2018 - January 27, 2019
A tone is a wave, and a wave is just a circle in the format of a line: a circle in eternity, an undulating line in sequence. If a tone is alive, what is the substance of its body, and do our bodies have that substance also? Can a tone be a limb? What would it reach for?
A tender proposition to the din is a moment extracted from a cycle of water storage, distillation, distribution, consumption, transformation. This cycle takes place on a scale and scope far beyond that of our bodies and the human lifetime; it encompasses states of atmospheric haze, glacial movement, the wayward paths of astral bodies. A tender proposition to the din captures an industrialized, infrastructural instance within the cycle.
August 6 - October 28, 2018
a hint of perennial magic lingers in its fingertips is a site-specific project that examines native and non-native weed species in relation to urban development in the community of Inglewood. Soil and seeds of native and invasive weed species were collected from the construction site across from the Esker and elsewhere in the neighbourhood. These seeds will be grown in the Esker Project Space throughout the exhibition. In this work, the artists hope to create a conversation about land use, notions of progress, and the de/naturalization process of invasive species. Throughout the process, they will ask what remediation, reconciliation, and reclamation mean in this context. Their research will explore the distribution of plants in relation to development, the perception of various plants in the neighbourhood, and phytoremediation as an actual or symbolic process.
May 7 - July 29, 2018
‘1597; Harmonious Frequencies’ is a performance-based installation to be implemented in the Project Space over the course of twelve weeks. Working within a clean and minimal space, the artist will create an 8-foot diameter representation of the Fibonacci Sequence, which references the golden ratio found throughout nature. The pattern is made up of 1,597 dots configured in two sets of spirals that radiate in opposite directions. Each dot is created by wrapping a golden thread around itself and adhering it to the wall. The performance of labour and the arrangement of the artist’s tools are precise and considered; the monotonous nature of the action is physically challenging and requires self-discipline to achieve a consistent and high level of craftsmanship throughout the project.
January 29 - April 29, 2018
DaveandJenn, also sometimes, known as David John Foy and Jennifer Saleik, have been working together since 2004. Their varied practice weaves a long view of both human and natural histories together with the more closed off realms of private spectacles and inner landscapes. For Esker’s Project Space, DaveandJenn will install a multi-layered, saturated, and shimmering oasis in the middle of Calgary’s winter, where predators stalk and prey glow in the hot sun.
October 30, 2017 - January 21, 2018
This work by Veronica Verkley, reads as a time-lapse shot over several years, but in reality, it is a stop motion animation shot over many months, with the ruin and decay painstakingly animated by hand. From destruction, there emerges a transformative beauty: the house becomes uninhabitable to some, but in its decay, it becomes refuge for others.
July 31 - October 22, 2017
July 31 – September 10, 2017
Jill Allan, Chris Cran, Amanda Fox, Micheline Maylor, and Keegan Starlight
September 11 – October 22, 2017
Derek Beaulieu, Tamara Lee-Anne Cardinal, Micheline Maylor, Andrew Tarrant, and George Webber
This Project Space exhibition is a rotating presentation of works produced in response to the Making Treaty 7 Cultural Society’s Common Ground Dinner Series. Based on the Making Treaty 7 methodology, this dinner series explored the theme of The Land through eight sub-themes: Energy, Agriculture, Education, Law, Culture, Borders, Safety and Security, and Medicine.
May 1 - July 23, 2017
‘Night Comes On’ is a video installation comprised of sixty 8” LED screens housed in and among ninety-nine black wooden boxes. Each screen contains a looping video depicting human activity within a domestic window frame, as seen from the exterior of a building. The source footage used for this work came from wide shots of glassy apartment buildings in downtown Vancouver, shot at night during a firework festival, which prompted many residents to peer out of their windows. Arranged in the exhibition space, the stacks of screens and boxes reference an active urbanscape environment – a city in motion.
January 30 - April 23, 2017
Estranged Setting presents two sculptures in an immersive painted environment. The works, Bird Factory (2016) and Trawl (2015), depict shifting anatomies that embody the complexities of contemporary consumption, industrial fishing, and agriculture. In Bird Factory, poultry populate a structure whose appearance hovers between that of a chicken’s body and an industrial farming complex. Cartoonish at a glance, the work plays with pop representations of the animal as a façade for the darker nature of its life within the food production system.
October 31, 2016 - January 22, 2017
Our relationship to place is a strange one: why is it that a feeling or memory about a particular place or time can be more vivid than others? How do significant, and seemingly insignificant, moments lodge within our sense of self? Is it possible that a certain place or experience, no matter how small, can define part of who we are?
July 25 - October 23, 2016
Dandy Lines is an exhibition of cosmic country embroidery that references Western fashion through the cyclical, transformative theories of craftwork and animation. It revisits the histories of the decorative and brings to the surface tensions between labour and identity, the body and the psyche.