In a world of constant notifications, social media connection, doomscrolling, and pervasive AI intervention—that is to say, the practical and relational networks that are producing in us a sense of overarching estrangement from the tangible and present—it is remarkable that
We Are The Lodge showcases ribbon skirts and shirts created by youth ages 17–20 during a series of workshops held at Esker Foundation in collaboration with Discovering Choices alternative high schools. Guided by Indigenous mentor Pearl White Quills, and supported
Jana Sterbak: “Dimensions of Intimacy” is a large-scale retrospective celebrating the groundbreaking Canadian artist with over 50 works spanning sculpture, performance, and photography from the past 46 years.
Kristine Zingeler pursues an inter-disciplinary art practice that involves photography, collage, drawing, painting, & sculpture. Addressing themes of interconnectedness, time, and the relentless state of flux that both humanity and our planet experience, Kristine’s work is subtle yet impactful.
“Compositions for Mouths, Face and Hands” presents a deeply sensorial investigation into the body as a vessel for sound and exchange.
“When Sound Becomes Unsound” presents a series of interactive sculptural works that operate at the threshold of catharsis and containment.
Exploring territory from the perspective of cultural attachment & ancestral memory, “Pizandawatc” articulates visions that harken to Indigenous legacies & futures.
“With All Our Vernal Suns” offers a vision of time and space that collapses the distances between the cosmic and the intimate, between the vast and the minute. Through carved and cast elements, Feniak invites us to a meditation on recurrent cycles.
Guided by Erika DeFreitas, the intergenerational participants created the artworks in Stories are Stories are Stories during a one-day workshop. Through storytelling and creative expression, they celebrated connections beyond the traditional parent-child bond – honouring elders, extended family,…
For Anna Semenoff, sculpture offers an arena to consider the reciprocal relationship between the built environment and our perception and experience thereof; or, how the world we make, makes us in turn.