Erika DeFreitas explores how stories and memories connect generations. Despite only having a faint memory of meeting her paternal grandmother as a child, a story told to her as an adult led Erika to believe that her grandmother has been
Oliver Beer is a visual artist and composer whose sculptures, paintings, installations, videos and immersive live performances reveal the hidden properties and innate musicality of objects, bodies and architectural spaces. Rooted in his background in both musical composition and visual
Babak Golkar is a conceptual artist whose practice critically examines the instability of meaning, value, and agency within contemporary socio-political and economic structures. Through sculpture, installation, and video, his work resists passive spectatorship, instead positioning the audience as…
Curated by Mona Filip Presenting a selection of works by Anishinaabe/French artist Caroline Monnet, this exhibition centres on a recent series of sculptures that explore language reclamation and intergenerational transmission through an engagement with the idea of land as a
Hangama Amiri creates intricately layered textile compositions that muse on home, kinship, and memory. “PARTING/فراق” builds on an ongoing body of work that focuses on the artist’s personal history and diasporic experience.
The exchange of artist and material, body and mineral, sparked a realm of exploration for Erika DeFreitas to extend her ongoing search for absences and omissions within the canon of art history.
Interweaving family lore, mythology, science fiction, and digital abstraction, Thuy-Han Nguyen-Chi’s 2022 film “Into The Violet Belly” follows the collaboration between the artist and her mother, Thuyen Hoa, who fled Vietnam after the end of the American War via a near-calamitous sea journey.
“With All Our Vernal Suns” offers a vision of time and space that collapses the distances between the cosmic and the intimate, between the vast and the minute. Through carved and cast elements, Feniak invites us to a meditation on recurrent cycles.
Like everything alive that we try to hold forever is curated by Elizabeth Diggon, Naomi Potter, and Shauna Thompson. The exhibition is organized by Esker Foundation and produced as a traveling exhibition by Independent Curators International (ICI). Funding for the
Curated by Su-Ying Lee, the group exhibition “Constellations: Racial myths, land, and labour” begins with the flows of people and plants circulated through the routes of early European colonialism.