Upcoming Exhibitions

Tammi Campbell: Dear Agnes

September 22 – December 21, 2018

‘Dear Agnes’ is a series of visual letters that serve as Tammi Campbell’s wordless communion with Saskatchewan-born modernist artist Agnes Martin. Beginning in 2010, Campbell would start each day in her Saskatoon studio by drawing a different variation of a grid in graphite on Japanese rag paper. Campbell would then write the salutation “Dear Agnes” in the top left corner, fold the drawing twice like a letter, and then store it in sequence. Campbell completed her last letter to Martin on 31 December 2017. This near-daily practice has led to over 1,000 drawings, the final three months of which will be on view at Esker.

Agnes Martin: The mind knows what the eye has not seen

22 September – 21 December

This exhibition offers unprecedented focus on Martin’s print works, in addition to selected paintings that exist in dialogue with the prints. A parallel collection of ephemera and source material introduces Martin’s life and work, focusing on her on-going relationship to Canada – her childhood in Saskatchewan, Alberta, and British Columbia, as well as her later travels in Canada.

This exhibition is co-produced by Esker Foundation and MacKenzie Art Gallery, Regina.

Sarah Stevenson: Nothing Hidden

September 22 – December 21, 2018

For the past 30 years, Sarah Stevenson has been making sculptural work that considers and defines space in the most simple and elegant of ways. Like drawings in air, wire and string are arranged into bilateral and almost symmetrical forms and are suspended from the ceiling like a weightless bloom of jellyfish or floating microscopic particles.

Vanessa Brown: The Witching Hour

May 26 – September 2, 2018

Vanessa Brown works in the space between strength and fragility through an alchemical fusing of steel, pigment, and glass – sculpture flirting with painting, a symbolic narrative collage, form as gesture or character. This exhibition brings together new installations and recent works, ranging in scale from grand to intimate. It is a proposal in material, colour, light, and sound; a coming-into-being, an invitation into an emotively charmed circle.

Anna Torma: Book of Abandoned Details

May 26 – September 2, 2018

Anna Torma was born in Tarnaörs, Hungary in 1952 and graduated with a degree in Textile Art and Design from the Hungarian University of Applied Arts, Budapest in 1979. She has been an exhibiting artist since that time and has produced a body of extremely skilled and exquisitely detailed large-scale hand embroidered wall hangings and collages. She immigrated to Canada in 1988, and has lived and worked in Baie Verte, New Brunswick since 2002. This exhibition will feature new and major works produced over the past five years.