Copy-edited by Eugenia Bell. Designed and typeset by Scott Ponik. Printed and bound by Sheridan MI. Published in an edition of 1000 by Kunstverein Publishing, Amsterdam and Plug In Editions, Winnipeg.
At nearly 550-pages, Second Thoughts is long in scope but precisely constructed. Angie Keefer leads readers down vividly articulated paths, documenting her thought processes in an exacting manner that reveals writing itself as a process of formulating the world. Accumulated knowledge is reconfigured through the pacing and cadence of each sentence.
Keefer worked closely with designer Scott Ponik to present this selection of writing as a unified whole while framing each individual text with its own synopsis and postscript. Though all of the pieces have been published previously, many were significantly updated, amended, and rewritten for this edition. Second Thoughts includes an introduction by Maxine Kopsa and a short text co-written with Lucy Skaer. The title is pulled in part from Keefer’s 2017 solo exhibition FIRST CLASS, SECOND THOUGHTS, INTERMINABLE SWELLat Plug In ICA.
Angie Keefer is an artist, writer, teacher, and publisher, though the distinctions among these categories are much less definitive in Keefer’s work than comma-separated terms would indicate. Taking an interest in the incidental aspects of art-making and its dissemination — from critical & commercial positioning through language, to surrounding labour, and shifting market forces — Keefer often pulls at the stitching that holds the enterprise together. She has exhibited extensively at institutions in the USA and Europe, including Witte de With, Rotterdam (2018); Plug In ICA (2017); Greater New York, PS1, New York (2015-16); Kunstverein, Munich (2015); Whitney Biennial, New York (2014); Objectif Exhibitions, Antwerp (2013-14); and Yale Union, Portland (2013).
5.4 x 8.2 inches
|Dimensions||20 × 15 × 8 cm|