curated by cheyanne turions
Opening reception: Friday 27 September, 6-10pm
Nep Sidhu is an interdisciplinary artist whose practice is concerned with the reverberations of form, antiquity, myth, and history with an affinity for community. Through material investigations that use textiles, sculpture, video and sound, Sidhu’s work seeks moments of knowledge transfer.
Divine of Form, Formed in the Divine (Medicine for a Nightmare) examines how memories persist in the present, especially when related to personal and collective practices of resistance, resilience, and ritual. This mid-career survey is anchored by recent works that reflect upon Sikh histories, amongst other collectively formed and formative histories considered through collaborations with Maikoiyo Alley-Barnes and Nicholas Galanin, exploring how memorialization practices can transfigure grief and loss, and how they contribute to a writing of histories that speak back to power by celebrating cultural knowledge and practices.
Divine of Form, Formed in the Divine (Medicine for a Nightmare) activates artistic forms towards cultural restoration and charges the spaces of memorialization with new kinds of images, objects and language. The works in this exhibition invite multiple readings where diverging and overlapping responses can take root. Here, the exercise of memory is rooted in the possibility of coming together across difference, of listening, of learning, and of maintaining the possibility of understanding being reshaped in response.
The exhibition is produced in partnership with Mercer Union, Toronto and Esker Foundation, Calgary.
Support in part for the project is through the Ontario Arts Council.
(Nep) Nirbhai Singh Sidhu is an interdisciplinary artist who lives and works in Toronto. His art practice highlights conceptual and technical components originating from antiquity, with relevance for the present. His primary reference points are sound, language, architecture, and adornment. Sidhu’s art practice resides along a continuum comprised of conceptual and technical components originating from ancestry, with relevance for the present. His sculptural practice combines language, light-baring materials and incantation thus creating a third space that unifies endless parallels and possibilities. This work is informed by the interplay of script, textile, the poetic wave of architecture, and an affinity for community.
cheyanne turions is a curator, cultural worker and writer concerned with art’s capacity to provoke otherwise possibilities. Currently, turions is the Curator at SFU Galleries, Vancouver and on the Board of Directors at 221A, Vancouver.