Erika DeFreitas in conversion with curator Elizabeth Diggon.
1. On the title of the exhibition, and that break is the one that shows (to shift, a curve, to quiver):
2. On a mark is that which holds a quiet (Khaleh and Layla):
3. On omissions within the canon of art history:
4. On what is left is restless and resembles light – as we are seen:
5. On The Black Madonnas of Perpetual Murmurs:
6. On the pause and mirrored peaks and she returns in the midst of echoes:
7. On an earnest weight in the crease:
