Media Kit

Press Release: Winter Exhibitions 2019 - Neil Campbell, Jeremy Shaw, and Glenna Cardinal

Tuesday, January 22nd, 2019
"Esker Foundation is excited to present our winter exhibition season: Neil Campbell, Jeremy Shaw, and new work by Glenna Cardinal in the Project Space"

PDFs

Winter_2019.pdf

Wednesday, January 23rd, 2019
0.39MB

esker.winter.2019.pdf

Wednesday, January 23rd, 2019
1.33MB

Invitation_winter2019_Campbell_Shaw.pdf

Wednesday, January 23rd, 2019
3.56MB

Web Resolution Images

Neil Campbell, Saskatchewan, 2004. Courtesy of the artist, Galleria Franco Noero, Turin; and Office Baroque, Brussels.
Neil Campbell, I, 2011. Courtesy of the artist and Office Baroque, Brussels.
Neil Campbell
Neil Campbell, 'Big Rubber' 2012. Courtesy of the artist and Galleria Franco Noero, Turin; and Office Baroque, Brussels.
Jeremy Shaw, 'I Can See Forever' (still), 2018. HD video installation with 5.1 soundtrack. Courtesy of the artist, KÖNIG GALERIE, Berlin/London, and Macaulay & Co. Fine Art, Vancouver. 'I Can See Forever' was co-produced by Medienboard Berlin Brandenburg and KÖNIG GALERIE, Berlin, with support from the Canada Council for the Arts; Hammer Museum, Los Angeles; Kunstverein Hamburg, and the Esker Foundation Commission Fund, Calgary.
Jeremy Shaw, 'I Can See Forever' (still), 2018. HD video installation with 5.1 soundtrack. Courtesy of the artist, KÖNIG GALERIE, Berlin/London, and Macaulay & Co. Fine Art, Vancouver. 'I Can See Forever' was co-produced by Medienboard Berlin Brandenburg and KÖNIG GALERIE, Berlin, with support from the Canada Council for the Arts; Hammer Museum, Los Angeles; Kunstverein Hamburg, and the Esker Foundation Commission Fund, Calgary.
Jeremy Shaw, 'I Can See Forever' (still), 2018. HD video installation with 5.1 soundtrack. Courtesy of the artist, KÖNIG GALERIE, Berlin/London, and Macaulay & Co. Fine Art, Vancouver. Co-produced by Medienboard Berlin Brandenburg and KÖNIG GALERIE with support from the Hammer Museum, Los Angeles, the Canada Council for the Arts, the Esker Foundation Commission Fund, Calgary, and Kunstverein Hamburg.
Jeremy Shaw, 'Quickeners,' 2014. HD video installation with original soundtrack, 28:21 min (still). Courtesy of the artist and KÖNIG GALERIE, Berlin/London. 'Quickeners' was co-produced by the Centre d’Art Contemporain Genève and Johann König, Berlin for the Biennale de l’Image en Mouvement 2014, with the generous support of the British Columbia Arts Council.
Jeremy Shaw, 'Liminals,' 2017. HD video installation with 5.1 soundtrack, 19:34 min (still). Courtesy of the artist and KÖNIG GALERIE, Berlin/London. 'Liminals' was realized in part with generous support from the Canada Council for the Arts, the Canadian Embassy in Rome and KÖNIG GALERIE, Berlin, for the 57th Venice Biennale.
Jeremy Shaw, 'Towards Universal Pattern Recognition (MM Pastors 2.1.01)' 2016. kaleidoscopic acrylic, chrome, archival colour photograph. Private collection.
Jeremy Shaw, 'Towards Universal Pattern Recognition (Detroit Anniversary Prayer, 1987),' 2017. kaleidoscopic acrylic, chrome, archival colour photograph. Private collection.
Photograph courtesy of Glenna Cardinal.

Press Release: Fall Exhibitions 2018 - Tammi Campbell, Agnes Martin, Sarah Stevenson - Alana Bartol & Mia Rushton + Eric Moschopedis

Thursday, September 13th, 2018
"Esker Foundation is excited to present our fall exhibition season: Tammi Campbell, Agnes Martin, and Sarah Stevenson, and in the Project Space an installation by Calgary-based artists Alana Bartol & Mia Rushton + Eric Moschopedis."

PDFs

Press-Release-Fall-exhibitions.pdf

Friday, September 14th, 2018
3.76MB

Fall-Exhibitions-2018.pdf

Friday, September 14th, 2018
1.4MB

Web Resolution Images

Agnes Martin, 1988, Galisteo, NM. Copyright Donald Woodman, ARS New York. www.DonaldWoodman.
Agnes Martin, Untitled (Image #4), 1998. Lithograph on paper, edition 63/75. Collection of the MacKenzie Art Gallery. Copyright Agnes Martin / SOCAN (2018).
Tammi Campbell, Dear Agnes, July 11, 2016. Graphite on Japanese paper. 11 x 8.5 inches with letter fold. Private collection.
Tammi Campbell, Dear Agnes, July 11, 2016 (detail). Graphite on Japanese paper. 11 x 8.5 inches with letter fold. Private collection.
Tammi Campbell, Dear Agnes, (installation view). Graphite on Japanese paper. 11 x 8.5 inches with letter fold.
Sarah Stevenson, 'Vessels' (detail) 2018. Photo by: Guy L'Heureux.
Sarah Stevenson, Smash, 2018. Courtesy of the artist.
Alana Bartol & Mia Rushton + Eric Moschopedis, 'a hint of perennial magic lingers in its fingertips.' courtesy of the artists.
Image of Wild Mustard, courtesy of Alana Bartol & Mia Rushton + Eric Moschopedis.

Press Release: Summer Exhibitions 2018 - Vanessa Brown, Anna Torma & Jolie Bird

Tuesday, May 22nd, 2018
"Esker Foundation is proud to announce our 2018 summer exhibition season: presenting major solo exhibitions by Canadian artists Vanessa Brown and Anna Torma, and a performative installation by Calgary-based artist Jolie Bird."

PDFs

Brown_Torma_Bird.pdf

Wednesday, May 23rd, 2018
11.75MB

Esker_Summer_2018.pdf

Friday, May 18th, 2018
5.13MB

Web Resolution Images

Anna Torma, Abandoned Details I, 2018. Courtesy of the artist.
Anna Torma, Abandoned Details I, 2018 (detail). Courtesy of the artist.
Anna Torma, Abandoned Details II, 2018. Courtesy of the artist
Anna Torma, Abandoned Details II, 2018, (detail). Courtesy of the artist
Vanessa Brown, Stained Glass Earrings and Stand, 2018. Courtesy of the artist.
Vanessa Brown, Sun Milk, 2017. Courtesy the artist and Project Pangée, Montréal.
Vanessa Brown, Newspaper in Flight, 2017. Courtesy the artist and Project Pangée, Montréal.
Vanessa Brown, Cosmic Screen, 2017. Courtesy the artist and Project Pangée, Montréal.
Jolie Bird, 1597; Harmonious Frequencies, 2018, (in progress). Photo by: John Dean.
Jolie Bird, 1597; Harmonious Frequencies, 2018, (in progress). Photo by: John Dean.
Jolie Bird, 1597; Harmonious Frequencies, 2018, (in progress). Photo by: John Dean.
Jolie Bird, 1597; Harmonious Frequencies, 2018, (in progress). Photo by: John Dean.

Press Release: Winter Exhibitions 2018 - Kapwani Kiwanga & DaveandJenn

Thursday, February 1st, 2018

"Esker Foundation is pleased to announce its 2018 winter exhibition program: presenting a major solo exhibition by Canadian-born, Paris-based artist Kapwani Kiwanga, and a fantastical site-specific installation by Calgary-based collaborators DaveandJenn."

PDFs

Winter_Esker-Foundation_2018.pdf

Wednesday, March 14th, 2018
4.21MB

Kapwani-Kiwanga_titles.pdf

Sunday, February 25th, 2018
0.63MB

Kapwani_Image-credits.pdf

Sunday, February 25th, 2018
9.53MB

Web Resolution Images

Kapwani Kiwanga, 'Linear Paintings' installation view of 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, 'Linear Paintings' installation view of 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, 'Linear Paintings' and 'pink-blue' - installation view of 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, 'pink-blue,' installation view: Esker Foundation, Calgary, 2018. Commissioned by The Power Plant. 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, installation view: Esker Foundation, Calgary, 2018. 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, installation view: Esker Foundation, Calgary, 2018. 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, installation view: Esker Foundation, Calgary, 2018. 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, installation view: Esker Foundation, Calgary, 2018. 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, 'Desire Paths,' and 'Jalousie, 2018, installation view: Esker Foundation, Calgary, 2018. 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, 'Desire Paths,' and 'Jalousie, 2018, installation view: Esker Foundation, Calgary, 2018. 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, 'Desire Paths,' and 'Jalousie, 2018, installation view: Esker Foundation, Calgary, 2018. 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, 'Jalousie, 2018, installation view: Esker Foundation, Calgary, 2018. 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
Kapwani Kiwanga, 'Jalousie, 2018, installation view: Esker Foundation, Calgary, 2018. 'A wall is just a wall (and nothing more at all),' February 3 to May 6, 2018. Esker Foundation, Calgary. Photo by: John Dean.
DaveandJenn, installation view of 'Paradise for an in-between time,' 2018. Photo by: John Dean.
DaveandJenn, installation view of 'Paradise for an in-between time,' 2018. Photo by: John Dean.
DaveandJenn, installation view of 'Paradise for an in-between time,' 2018. Photo by: John Dean.
DaveandJenn, installation view of 'Paradise for an in-between time,' 2018. Photo by: John Dean.
DaveandJenn, installation view of 'Paradise for an in-between time,' 2018. Photo by: John Dean.
DaveandJenn, installation view of 'Paradise for an in-between time,' 2018. Photo by: John Dean.
DaveandJenn, installation view of 'Paradise for an in-between time,' 2018. Photo by: John Dean.
DaveandJenn, installation view of 'Paradise for an in-between time,' 2018. Photo by: John Dean.

Print Resolution Images