News: March 2016

There’s a push and pull in Colleen Heslin’s quilt-like paintings, a pull to examine the undulating dyes and the rolling seams that stitch together second-hand fabrics used as surface and support. Yet these same chromatic stains and opposing fabrics push you back to make sense of the illusory depth and the ambiguous but evocative compositions. It’s a hypnotic cycle that makes this exhibition a compelling experience.

Charlotte Moth’s living images is reviewed in Canadian Art‘s Spring 2016 issue.

Internationally acclaimed Icelandic artist Ragnar Kjartansson describes himself in many ways, according to a recent interview with The Talks: namely, as a trained housewife and a bona fide dreamer. As he explained to the publication, “art becomes an instrument to fulfill [your] daydreams. It’s almost like a superhero pill: you can do everything through art.”