K-DIALECTIC is part of a multidisciplinary project that traces the afterlives of Japanese colonialism in Korea. This exhibition is one component of a broader inquiry: a photographic installation that draws from archival materials centring histories of forced labour and wartime sexual violence.
This exhibition showcases 30 years of Shirley Moorhouse’s innovative art practice, from her earliest pieces to new and recently restored artworks.
OPENING RECEPTION: FRIDAY 22 MAY, 6–9 PM Zadie Xa creates vivid, immersive installations that incorporate a wide range of materials and media, including painting, textiles, sculpture, light, and sound. Often these installations offer a space for shared reflection on larger
Anthony Cudahy paints narratively elusive images of queer intimacy and tenderness within everyday life.
Justin de Verteuil’s paintings appear as images in the midst of becoming: compositions that have been coaxed slowly into focus, as if tuned across radio frequencies until a signal emerges and begins to take shape.
Magalie Guérin’s paintings often begin with what remains: she carries forward yesterday’s pigment, a trace of past works and decisions, as a provocation to begin a new composition.
Alexandre Pépin’s paintings locate fleeting instances of connection, desire, or joy within the everyday.